The New York Times celebrates Kiuryaq!

“Kiuryaq” was at its most captivating when it directly tackled the tension between Indigenous Arctic life and philosophy, and Western culture.” The New York Times

This Akpik Theatre/Theaturtle project has been four years in the making by Indigenous and non-Indigenous theatre, film and music artists, mostly from the circumpolar North. In September, Kiuryaq premiered at the Northern Arts and Cultural Centre in Yellowknife and then toured to communities across the Northwest Territories, and to the Suialaa Arts Festival in Nuuk, Kalaallit Nunaat (Greenland).
The article articulates beautifully our goal “to reach northern audiences as well as to bring outsiders to the tales of the northern lights by those who know them best.” (The New York Times, Oct. 30, 2025)

Alphonse performs at Vancouver’s Carousel Theatre

“Carousel is thrilled to present the West Coast premiere of the internationally lauded solo play Alphonse. Hailed as “unmissable” (BBC Edinburgh), “a celebration of the imagination” (The Scotsman), and “a modern classic” (Toronto Star), Alphonse is a heartwarming tale of a missing child who meanders along a country road, weaving an intricate web of stories, as everyone is searching for him: parents, friends, teachers, the police. What they find is the thing we often give up in order to grow up.”

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Kafka and Son performs at Golden Lion Festival in Ukraine

“This war is about denying Ukrainian heritage and history. We are showing up at the festival to show our solidarity with the brave Artists who are rebuilding the culture and soul of Ukraine.” says performer Alon Nashman. “Kafka and Son resonates as a profound critique of tyranny, in all its forms.”  (Audio interview from The Stage Show on Australian Broadcasting Corporation begins at timecode 40:30).

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Kafka and Son returns to Edinburgh

“[Kafka and Son] is a masterclass in the economy of truth, complete character immersion and storytelling…. This is an impeccable piece which delivers with confidence and clarity from start to finish, and a must-see for anyone moved by the simple purity of words well-delivered.” Read other 2022 reviews here, here, and below.

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Alphonse makes waves in Edinburgh

“This play is everything I had hoped to see at the fringe this season. Flawlessly written, beautifully executed.” So begins one of many rhapsodic, five-star reviews of Theaturtle’s production of Alphonse at the Edinburgh Festival Fringe. Read more here, here, or below.

 

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Theaturtle’s “Peddler” highlight of Kensington Market tour

Ishai Buchbinder, dressed as “a Jewish peddler straight out of the 1930s,” surprised over 3000 TDSB students as they were taken on a historical tour of Kensington Market in May of 2022. That performance, written and directed by Theaturtle’s Alon Nashman, contributed to winning the Heritage Toronto Public History Award.

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Alphonse a Runaway Hit Across Ontario

In these times of isolation and uncertainty, a production of Alphonse seems a perfect fit. Gabe Maharjan gives a sensitive, ethereal performance playing several characters. The production is pure joy.”

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Alphonse in the Park one of TOP TEN Theatre Stories of 2020

“How fitting that the first live, in-person theatre performance in Toronto following the spring lockdown should be a revival of Wajdi Mouawad’s life-affirming solo work about the importance of imagination and freedom.”

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Kafka and Son wins Critics Choice Award at Orlando Fringe Winter Fest

“In “Kafka and Son,” Canadians Mark Cassidy and Alon Nashman have adapted Kafka’s famed letter to his father into a one-man meditation on the effects of a father’s actions on a son. It’s stylishly designed, directed with verve by Cassidy and performed with unswerving dedication to the material by Nashman, who plays both father and son.”

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Charlotte Celebrated in Europe

Theaturtle’s singspiel ‘Charlotte: A Tri-Coloured Play with Music’, with music by Aleš Březina, libretto by Alon Nashman, direction/scenography by Pamela Howard, and movement direction by Marie-Josée Chartier, “leads the way towards a renaissance of opera,” according to one of Europe’s top critics.

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